just How Poets Use Punctuation as a Superpower and a weapon that is secret

just How Poets Use Punctuation as a Superpower and a weapon that is secret

A poet i am aware, hesitant to establish just exactly just what poetry can or can’t be, once suggested (somewhat facetiously) that a case of soil could possibly be a poem if the poet deemed it so — phoning to mind Marcel Duchamp’s readymades, the urinal converted into art by contextual/conceptual motion alone. This got me personally thinking as to what my personal criteria that are bare-minimum poetry may be. a case of dust within a gallery could be an installation, but we wasn’t quite ready to concede it might additionally be a poem — a poem must at minimum, on some known amount, I was thinking, be spoken. But ended up being that very right? Think about Aram Saroyan’s popular aesthetic poems, in specific the m that is lowercase an extra hump — not really a term or element of a term; an unletter. Possibly poetry just needs typography — but does not in addition it need noise, the good sense that at the very least the theory is that you might hear the poem? I really do feel i could “read” that long m — this has a sonic high high high quality — plus the Saroyan poem “lighght.” An ampersand alone on a typical page would portray a word that is pronounceable. Exactly what in regards to a parenthesis, or a semicolon?

I’ve constantly enjoyed whenever a poet makes a punctuation mark her very own — take Emily Dickinson’s dashes

typically standardised as em-dashes on the net, though in her handwritten originals, the markings had been much more uncertain, some showing up similar to careless durations or commas, some out lines slanted like slashes if not straight, recommending an idiosyncratic diacritical system.